CAE operates all over the world meaning, over the years, Lefebvre’s job took him from an initial posting in London to Italy, Brazil, India and Australia, among other destinations.
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“I was interested in the fantasy of working for Cirque du Soleil,” says Lefebvre, who moved steadily up the ranks since joining in 2016-first as CFO, then COO and, now, its newest president and CEO.īut even Lefebvre wasn’t immediately sold on the idea of dropping a lucrative career and joining the circus.Īt the time he was headhunted, Lefebvre was VP and CFO at Montreal-based flight simulator firm CAE, where he had worked for 20 years. When the world’s largest contemporary circus production company came calling decades later, it felt like the stars were aligning. It’s one thing to see an artist on stage, and something else entirely to meet and make connections with them.”
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“I got to go to shows for free and mingle with the artists backstage,” Lefebvre recalls. An all-access pass to the local music scene was a major perk. While studying business administration and management at HEC Montreal, he got his first taste of working on the numbers side of entertainment when a professor, who had a side gig putting on rock shows around Montreal, hired him to help with the accounting.
Lefebvre, who was promoted to CEO at Cirque du Soleil last December, played classical piano as a child in Chambly, Quebec and grew up admiring the works of Robert Schumann and other classical greats. The responsibility of the role is Stéphane Lefebvre’s favourite part of his job (Photograph by LM Chabot)Īs far as Stéphane Lefebvre knows, the headhunter who called to offer him a job in the C-suite at Cirque du Soleil in the summer of 2015 had no clue that the now 54-year-old CPA was a dedicated arts aficionado.
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